Modern Art And The Decline Of Civilization
The chaos which trendy artists suffered and expressed through their art assumed various kinds in the works of 19th century painters. In its subtlest, and most aesthetically pleasing type, it may be seen within the masterpieces of Caspar David Friedrich, one of the preeminent forerunners of modern art, and Edvard Munch. Through their works each these artists gave visible illustration to the ethos of desolation which was spreading across Europe on the time. In Friedrich’s paintings the setting for this contact form ethos of desolation is nature.
“…there has by no means been something similar in historical past. ] is a world in himself, endeavoring alone to ward off the chaos that menaces him or to present it form, each along with his personal characteristic desperation. It isn’t any accident that we hear a lot right this moment of the void and forlornness of the person.
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In Picasso’s paintings, for example, the human being is damaged into fragmented parts, after which pieced together again in disjointed, abstract, and infrequently hideous types. “Picasso’s artwork now not seeks the entire human being at all. It has misplaced the school of seeing issues as wholes. In the movement of Surrealism the chaotic will not be only represented visually, but explicitly exalted as a principle of life. Salvador Dali declared painting to be the “coloured instantaneous images of concrete irrationality”, and the “systematization of confusion”. Andre Breton, in his Second Manifesto, declared Surrealism to have attained a viewpoint from which “life and dying, the real and imagined, high and backside are no longer experienced as contradictory opposites”. When studying this latter statement one can not assist but remember Nietzsche’s warning of the existential disorientation he thought would manifest following the decline of the Christian worldview. “Are we not regularly falling? —backwards, sideways and in all instructions? Do top and bottom nonetheless stay?