Modern Art And The Decline Of Civilization
The chaos which modern artists suffered and expressed through their art assumed numerous forms within the works of nineteenth century painters. In its subtlest, and most aesthetically pleasing form, it can be seen within the masterpieces of Caspar David Friedrich, one of the preeminent forerunners of modern art, and Edvard Munch. Through their works both these artists gave visible illustration to the ethos of desolation which was spreading across Europe on the time. In Friedrich’s paintings the setting for this ethos of desolation is nature.
“…there has never been something comparable in historical past. ] is a world in himself, endeavoring alone to ward off the chaos that menaces him or to give it type, each together with his own characteristic desperation. It is not any accident that we hear a lot today of the void and forlornness of the person.
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In Picasso’s paintings, for instance, the human being is damaged into fragmented elements, after which pieced collectively once more in disjointed, abstract, and sometimes hideous forms. “Picasso’s art not seeks the entire human being at all. It has misplaced the faculty of seeing things as wholes. In the motion of Surrealism the chaotic is not solely represented visually, however explicitly exalted as a precept of life. Salvador Dali declared painting to be the “coloured instantaneous pictures of concrete irrationality”, and the “systematization of confusion”. Andre Breton, in his Second Manifesto, declared Surrealism to have attained a viewpoint from which “life and loss of life, the true and imagined, top and backside are not experienced as contradictory opposites”. When reading this latter statement one can’t assist but remember Nietzsche’s warning of the existential disorientation he thought would manifest following the decline of the Christian worldview. “Are we not frequently falling? —backwards, sideways and in all instructions? Do prime and bottom still stay?