Modern Art And The Decline Of Civilization
The chaos which modern artists suffered and expressed by means of their artwork assumed numerous forms in the works of 19th century painters. In its subtlest, and most aesthetically pleasing kind, it may be seen in the masterpieces of Caspar David Friedrich, one of the preeminent forerunners of modern art, and Edvard Munch. Through their works both these artists gave visual illustration to the ethos of desolation which was spreading throughout Europe at the time. In Friedrich’s paintings the setting for this ethos of desolation is nature.
“…there has never been something similar in historical past. ] is a world in himself, endeavoring alone to ward off the chaos that menaces him or to give it kind, every along with his personal characteristic desperation. It is no accident that we hear a lot immediately of the void and forlornness of the individual.
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In Picasso’s paintings, for instance, the human being is damaged into fragmented parts, and then pieced collectively once more in disjointed, abstract, and infrequently hideous forms. “Picasso’s artwork not seeks the entire human being in any respect. It has misplaced the college of seeing issues as wholes. In the motion of Surrealism the chaotic will not be solely represented visually, however explicitly exalted as a principle of life. Salvador Dali declared painting to be the “coloured instantaneous pictures of concrete irrationality”, and the “systematization of confusion”. Andre Breton, in his Second Manifesto, declared Surrealism to have attained a viewpoint from which “life and death, the true and imagined, top and bottom are now not skilled as contradictory opposites”. When reading this latter statement one cannot help but remember Nietzsche’s warning of the existential disorientation he thought would manifest following the decline of the Christian worldview. “Are we not frequently falling? —backwards, sideways and in all directions? Do high and bottom nonetheless stay?